To every generation is born a genius, a Michelangelo,
a Shakespeare, an Erwin Rommel. Sadly, home-baked Australian genii have
been a little thin on the ground, at least in the world of literature.
Oh, sure, your pointy-headed types might sport a bookish woody for
Patrick White and his so-called Nobel prize. But did any of Patrick
White's characters face certain death by plummeting over a massive Antarctic
ice cliff in a shot-to-hell hovercraft while being pursued by a bunch
of murderous British SAS guys, only to whip out some bodacious James
Bond-style moves leading to a heavy arsewhoopin' for aforesaid SAS guys?
Did any of White's so-called novels ever feature attacks by pods of
murderous killer whales, intergalactic OK Corral shoot-outs in the New
York Public Library or secret weapons built out of lost Aztec relics
so powerful they could blow a third of the Earth's planetary mass into
orbit around Jupiter? Well, did they?
If the answer is a solid uh ... no, as you and I know know it is,
Patrick White can hand over his propeller beanie of genius to the one
author of world stature our so-called literary community has ever produced.
That author's name is Matthew Reilly.
Reilly first burst through the flimsy plywood door of literature like
a heavily-armed and badly drug-affected special forces renegade with
a self-published gem called Contest (re-released next month by Pan Macmillan,
$27.40). Reilly, like the best writers, is unafraid to address the timeless
verities of the human condition, such as the little-known verity that
every 100 years a champion is chosen from among us to do battle against
a pack of bloodthirsty space gorillas, shapeshifters, biomechanical
attack pooches and alligator chicks. The sole survivor is declared the
most kickarse species of the century. Through an error in talent-spotting
procedures, we don't get represented by Arnie or Jean-Claude. Instead,
a radiologist, Dr Stephen Swain, single dad of eight-year-old Holly,
is left with little more than a Bic lighter to save his hide and his
daughter. Can he do it? Is the human race the most kickarse race in
the Milky Way? Need you ask?
For once, the publishing industry was on the ball and recognised in
Contest the arrival of a rare talent. Pan Macmillan signed up Ice Station
($18.60), the work which would establish Reilly in airport bookstores
worldwide. Ice Station presents as a hyper-accelerated sci-fi shooter,
with Lieutenant Shane M. Schofield (aka Scarecrow, because of the two
vertical scars that slash through his eyes), leading a marine recon
team into a lethal crossfire at an Antarctic research station. Foreign
special forces teams, all of them chock full of violent nuts, battle
to reach the possible crash site of an alien spacecraft.
The genius of this work is its unrelenting pace. The hovercraft scenario
takes place over several pages in Ice Station. Picture this. You're
being pursued across the ice by half a dozen or so SAS hovercraft. Your
only ally is a hopeless dufus of a scientist. You plunge over a huge
cliff? Violent death below. Violent death above. You're falling, falling.
Are you going to live? These are the big questions Reilly asks on every
second page. I mean that. Every second page. Sometimes twice in one
paragraph. I don't think Patrick White asked the hovercraft question
once in Voss.
Thankfully, White is dead now and so valuable shelf space in megabarn
bookmarts can be more fruitfully given over to Reilly's most recent
release, Temple (Pan Macmillan, $18.55), a state-of-the-art thriller
with competing teams of ruthless killers and stumbling heroes in different
centuries, searching for a lost artefact with which to blow up the world.
You know you are in the presence of a major new talent in the opening
pages when a pack of post-modern SS goons invades a monastery and shoots
everybody in the head.
Modern Australian literature has many failings. Specifically, it's
very, very boring. Matt Reilly, genius, has addressed the issue of what
to put in between the interesting bits - and there can be only one reward.
Five big cheeseburgers.